Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Check out Kent Kennan: Sonata for Trumpet and Piano: III. Moderately Fast, With Energy by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Check out Kent Kennan: Sonata for Trumpet and Piano: I. With Strength and Vigor by Giuseppe Galante on Amazon Music. Stream ad-free or purchase CD’s and.
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The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, sonafa the main motive that was introduced in the first movement Dearden The Development The development begins after a short transition from the exposition Dearden The piece ends with a trumpet fanfare in E-flat Dearden Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden Dearden, Jennifer Lorien It is also significantly shorter Dearden This article on a United States composer born in the 20th century is a stub.
The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden The return of the first theme is very similar to the kenhan time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden Works Cited Dearden, Jennifer Lorien The main motive that was introduced in the first movement appears frequently in this theme Dearden The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo kenman, causing them to both have the same overall structure as well McNamara His Night Soliloquy was written in and is set for solo flute, piano and strings.
Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing. The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden You can help Wikipedia by expanding it.
The first theme is played by the trumpet and is muted Dearden Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden McNamara, Anne Kovarik In the coda, the trumpet is playing with a harmon mute and playing Sontaa, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden He was the half brother of the diplomat and historian George F.
Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor.
Sonata for Trumpet and Piano by Kent Kennan | My Blog
He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden University of North Texas, Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden This page was last edited on 8 Novemberat By continuing to use this website, you agree to their use.
The third theme is a chorale in G that begins in minor and ends in major Dearden Leave a Reply Cancel reply Enter your comment here When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden Email required Address never made public.
University of Maryland, Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden Kennan wanted to write in a similar style of those who kdnnan admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara This melody has some occurrences of the main motive that begins the first movement: It is also the only theme that stays centered around a tonic in the entire movement Dearden This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden The secondary theme is lyrical, with no fanfares, and in minor Dearden The last time that the first theme returns, sonataa is in keennan inverted form and played in the piano while the trumpet is playing something totally different Dearden You are commenting using your WordPress.
This piece is difficult in many ways.
This first statement begins in minor, goes through Phrygian, and ends in major Dearden The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden This is soata by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden This theme is only in kenna piano part Dearden You are commenting using your Twitter account.
The American Trumpet Sonata in the s: