D. BUXTEHUDE – IN DULCI JUBILO BUXWV Soprano, Voice with metronome · Emphasised voice and other voices · All voices. Alto, Voice with metronome. Dietrich Buxtehude’s „Christmas Music“ is suited remarkably well for the numerous Advent and Christmas services as well as the general religious services. IN DULCI JUBILO – Music for the Christmas season by Buxtehude and friends With evocative works by the Baroque master Dietrich Buxtehude and the circle.
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In dulci jubilo (Dietrich Buxtehude)
Johann Adam Reincken And when eight days were accomplished for the circumcising of the child, his name was called Jesus, which was so named of the angel before he was conceived in the womb.
And so it was, that, while they were there, the days were accomplished that she should be delivered. And when they were come into the house, they saw the young child with Mary his mother, and fell down, and worshipped him: Paul Hillier conducting Theatre of Voices. It is a macaronic hymn where the lines in the vernacular in this case German alternate with lines in Latin. Especially in the jubilant last verse, this can be heard in the triumphant trumpet signals in the violins.
It takes the form of a varied strophic chorale cantata where the violins, with their small interludes and ritornelli, give the piece a concertante stamp.
Buxtehude and Christian Geist approached the task very differently. Traditionally, the celebration of the Holy Name of Jesus has taken place on the first Sunday after New Year, or, jugilo this does not fall before the Epiphany, on 2 January. Jan Pieterszoon Sweelinck This group of composers exchanged music with one another and studied counterpoint together, especially works and textbooks by Sweelinck.
And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. The other parts — two dulic, alto, tenor and bass — weave freely elaborated inventions over the ostinato, and these in phrases and verses of varying length create a brilliantly dynamic set of variations.
But programmes, text booklets and descrip-tions testify to grand-scale semi-theatrical oratorios which extended over the five Sundays mentioned. Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, saying: Castens, English translation of liner notes: Inwhen the year-old J.
Preben Iwan and Mette Due Mix and mastering: When they saw the star, they rejoiced with exceeding great joy.
This is an interesting and compelling collection of pieces for the Christmas season in different styles. And this shall be a sign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger.
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In dulci jubilo, BuxWV 52 (Buxtehude, Dietrich)
Pioneered in Rome by Giovanni Francesco Anerio and -Giacomo Carissimi the Italian oratorio developed as a quasi-dramatic genre parallel to the development of the opera.
The description of the shepherds in the fields portrayed in the Gospel for Christmas Day has been set to music countless times. The virtuosic, playful style in his Preambulum in D minor also bears witness to a masterly composer. And Joseph also went up from Galilee, out of the city of Nazareth, into Judaea, unto the city of David, which is called Bethlehem; butxehude he was of the house and lineage of David: It is indeed a chorale motet with a unique wealth of ideas and humour.
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In dulci jubilo (Dietrich Buxtehude) – ChoralWiki
Buxtehude is playing the viola da gamba dressed in frills and a jacket with silver buttons, while Reincken, at the harpsichord, poses in a red embroidered silk kimono. The flawless sound of the Theatre of Voices meets a warm-silvery string ensemble — festive and fantastic!
Although Buxtehude and Johann Christoph Bach did not know each other personally, there are several links between them. For unto you is born this day in the city of David a Saviour, which is Christ the Lord.
D. BUXTEHUDE – IN DULCI JUBILO BUXWV52
Feelings of sadness and joy mix with accuracy in tuning and exquisite duoci understanding. The picture was very likely commissioned and paid for by the prosperous Reincken himself, as a celebration of their friendship. The maestro Sweelinck had been famous for such concerts in the Oude Kerk in Amsterdam and with Jacob Praetorius the concept was passed on to Hamburg. Johann Christoph Bach The aria praises the infant Jesus who redeems the sin of Adam and reconciles man with God.
Johann Sebastian Bach considered the motet so good that he also included it in the choir repertoire of the Thomasschule. With the spread of Lutheranism it became widely known in northern Europe, and it is an juilo element of the Advent celebrations of the Reformed Church to this very day.
Sweelinck and the counterpoint study group. He shall be great, and shall be called the Son of the Highest: We have just under a dozen cantatas from Tunder, all of them works of the highest quality, written in several of the common early Baroque styles.