Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.
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Sexy Trippy All Moods. AllMusic Featured Composition Noteworthy. The voice carries always an excess of connotations, whatever it is doing. Give me a few words for a woman to sing a truth allowing us to build a house without worrying before night comes. Genre Vocal Music Classical. Sequenza III is a piece very much of its era, paralleling other experiments in vocal music and textual meaning such as Cage ‘s Aria and Ligeti ‘s Aventures In order to control such a wide range of vocal behaviour, I felt I had to break up the text in an bwrio devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape them into units that were not discursive but musical.
Inspired by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create a catalog of vocal gestures that encompassed the gamut of effects and techniques. Songs for Seven Centuries. Drinking Hanging Out In Love.
In Memoriam Cathy Berberian.
Sequenza III (author’s note)
The Great Works for Voice. Streams Videos All Posts. Karlheinz Stockhausen, Luciano Berio. Introspection Late Night Partying. Ricerca Search this site: Romantic Evening Sex Beerio Themes. For this reason Sequenza III can also be considered as a dramatic essay whose story, so to speak, sequdnza the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian.
Sequenza III (author’s note) | Centro Studi Luciano Berio – Luciano Berio’s Official Website
In Sequenza III I tried to assimilate many aspects of everyday vocal life, including trivial ones, without losing intermediate levels or indeed normal singing. Nel labirinto della voce. Jazz Latin New Age.
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Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner. In the Voice Labyrinth. One of Luciano Berio’s most fruitful sources of inspiration was his long collaboration with scote Cathy Berberian – 83who was the composer’s wife as well as a primary exponent of his work throughout the s.